Halsman, Jump on It - The New York Times.
HALSMAN, PHILIPPE France, 1906-1979 Philippe Halsman (1906-1979) set the standard for celebrity portraiture. From the 1940s until the 1970s his portraits of actors, intellectuals and politicians appeared on the covers and pages of the biggest magazines in Europe and the US.
Philippe Halsman, Latvian-born American portrait photographer; See also. Halsman murder case, murder of Max Halsman; This page lists people with the surname Halsman. If an internal link intending to refer to a specific person led you to this page, you may wish to change that link by adding the person's given name(s) to the link.
Philippe Halsman was at one point considered the best photo-portraitist in France. He had an incessant interest in faces: “Every face I see seems to hide—and sometimes fleetingly reveal—the mystery of another human being.”.
Thus remarked Philippe Halsman on his photographic career. His interest in photography was sparked at age fifteen with the gift of an old camera from his father. Halsman earned a degree in engineering but soon gave it up to pursue photography. After a decade as a successful portrait photographer in Paris, Halsman moved to the United States in.
Philippe Halsman was born on May 2, 1906 in Riga, then a part of the Russian Empire (present-day Riga, Latvia). He was a son of Morduch (Maks) Halsman, a dentist, and Ita Grintuch, a grammar school principal. Education Philippe Halsman finished school by 1924 and went to Dresden, Germany, to study electrical engineering. Career.
Philippe Halsman Art Criticism: Description Art Criticism: Analysis Art Criticism: Interpretation In Philippe Halsman, photography inspiration came from Harold Edgerton who photographed the 'Coronet' milk drop. This photography required a lot of precise timing and of course good.
He published Philippe Halsman’s Jump Book in 1959, which contained a tongue-in-cheek discussion of “jumpology” and 178 photographs of celebrity jumpers. Books. His 1961 book Halsman on the Creation of Photographic Ideas, discussed ways for photographers to produce unusual pieces of work, by following three rules: “the rule of the.